This tone is related to the spiritual anatomy of the heart centre. This calculated frequency is identical to the basic tone of classical Indian music and the Tibetan Om. In order to play the octave analogue tone of the rotating earth around the sun one has to perform a basic tuning of the instruments from A = 440 Hz to A = 432.10 Hz and then checking the sound of C sharp. The appropriated concert pitch of the earth year is A and would have a frequency of 432.10 Hz. This calculated tone is a c sharp with 136.10 Hz, which is slightly lower than the c sharp based on the concert pitch with 440 Hz. And the best audible tone of the earth year is in the 32 nd octave. This happens in the very first instance in the 30 th octave. In order to achieve an octave-analogue tone of the path of the earth around the sun, the ultra-deep frequency of the earth year (0.00000003168 Hz) has to be doubled, multiplied by two, until it becomes audible as sound. And there is no contingent tone possible for the perception of the human ear which is below 20 Hz and this is the domain of rhythm, calculated in beat per minute (bpm). (Hosenbeinflattern, the sound of trousers flapping in the wind).ġ6000 Hz is a very high pitch. In the example of the earth year (rotation of the earth around the sun) a tone with 0.00000003168 Hz.Ī human being is able to hear 20 Hz (20 vibrations per second) up to 16000 Hz.Ģ0 Hz represents the deepest bass tone, which is just about audible. This results in the frequency Hz, which is the vibration per second. The reciprocal value 1:a is formed (in 1: 31556925.54 seconds) of any cyclic occurrence ‘a’ It is possible to calculate an octave-analogue sound to every re-occurring vibration.Įxplanation of the formula using an example: The formula to calculate any cyclic occurrences in octave-analogue tones and rhythms is quite simple:īased on the natural law, the equivalence of octaves, which means tones within a distance of the octave have an identical, partial row of tones, have the same overtones with the help of the ‘octavation process’. Joachim-Ernst Berendt, Journalist for Music. The theory of planetary tones or ‘harmonical’ concert pitches were developed and established under the name of ‘Ur-töne’ (archaic tones or sounds) by Prof. This created the possibility of appropriating octave-analogue tones and rhythms to the rotation of planets and the vibration level of molecules. In 1978 the Swiss Mathematician Hans Cousto had the idea that the harmonic law of doubling frequencies or the process to half the frequencies can be used beyond the range of audible perception. The cosmic octave is based upon a principle in physics, which is the process of octavation.
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